Christina Price Washington received a Master of Fine Art in photography in 2012 and a Master of Arts degree in art history in 2014

from the Ernest G Welch School of Art and Design, at Georgia State University. Her work has been featured in the High Museum of

Art in Atlanta Underexposed: Women Photographers from The Collection; Slow Exposures, curated by Brett Abbott and Julian Cox––

former curators of photography at the Paul J. Getty Museum; Rising Movers & Shakers of the Georgia Arts Scene at the Museum of

Contemporary Art, Georgia; Art Basel Miami, FL. In 2016, she was selected to the Portfolio Show at the Atlanta Photography Group

curated by Lisa Sutcliffe, curator of photography at the Milwaukee Art Museum; Works on Paper curated by Leslie Jones, Curator of

Prints and Drawings at the Los Angeles County Museum of Art (LACMA),

Her photographs are in the permanent collection of the High Museum of Art and private collections in the United States and in

Europe. She lives and works in Atlanta where she teaches Photography at Oglethorpe University.
SELECTED SOLO EXHIBITIONS





2021



Underexposed: Women Photographers from the Collection, High Museum of Art, Atlanta, Ga

2021



tba Opera: Mr & Mrs Hades, Round House Theatre, London

2019



White Balance, Swan Coach House, Atlanta, Ga

2012



Subject to Change, MFA Thesis Exhibition Video Installation, Welch Art Gallery, Atlanta Ga

2011



Experimental Film, Poem 88, Atlanta, Ga

2010



Studies from Home, Poem 88 at Tanner Hill Gallery, Atlanta, Ga.

1994



Luminous Flux, Chassie Post Gallery, Atlanta Ga

1991



Bar Couples, Gallery 100, Atlanta College of Art, Atlanta, Ga




SELECTED GROUP EXHIBITIONS





2020    -Analogue, curator Talia Moscovitz, 378 Gallery, Atlanta, Ga

2019     -Forwards Arts Foundation Emerging Artist Award exhibition, Swan Coach House Gallery, Atlanta, Ga

             -TRIBUTE: A Reunion of Chandler Fellows, Atlanta, Ga


            - Split Vision: New Work Faculty and Alums of GSU Photo, Atlanta, Ga

2018    - Every (ongoing) Day, Santa Monica, Ca

2017.    - Domestic Structures, curator Candice Greathouse, ATHICA, Athens Ga

            - Socially Engaged, curator Brenda Massie, Ernest G. Welch Art Gallery, Atlanta, Ga

            -  On Paper, curator Leslie Jones Curator of Prints and Drawings at the Los Angeles County Museum of Art (LACMA), Brand

                 45, Glendale, Ca (CATALOGUE)

2016   -  Art Now 2016 New Directions in Contemporary Photography, Ann Arbor Art Center, Ann Arbor, MI

           -  Continuum, Lamar Dodd School of Art at the University of Georgia, Athens, Ga

           -  More Light, curators Kristin Juarez and Gregory Zinnman, exhibition coordinated for the Society for Cinema and Media

               Studies, Eyedrum, Atlanta, Ga
                             
 
            -  Light in Purse,Portfolio 2016 curator Lisa Sutcliffe, Curator of Photography at the Milwaukee Museum of Art, Atlanta, Ga 

               (CATALOGUE)

            -  Print or Projection, curator Karen Tauches, Swan Coach House Gallery, Atlanta, Ga


2015    - But is it Photography? curator Marianne Lambert, Swan Coach House Gallery, Atlanta, GA.


2014    - Middle, curator Candice Greathouse, Gallery 72, Atlanta, Ga

            -  Leap Year Applicant Exhibition at MINT Gallery, Atlanta, Ga

            -  Concepts, curators Stuart Horodner and Beth Lilly, Atlanta Photography Group, Atlanta, Ga

            -  Suburbia, Hagedorn Foundation Gallery Atlanta, Ga


2012    - Scope Miami, Hagedorn Gallery, Miami, Florida

            -  Inhabited, Kibbee Gallery, Atlanta, Ga

            - “Ones to Watch”,curator Mary Stanley, Atlanta Celebrates Photography, Atlanta, Ga

            - Slow Exposures, curators Brett Abbott and Julian Cox, Zebulon, GA (honorable mention) (CATALOGUE)

            - Jane Jackson Selects, Atlanta Photography Group, Atlanta, Ga (honorable mention)
 
            - Juried Student Exhibition, curator Mary Stanley, Jennifer Schwartz Gallery, Atlanta, Ga

            - Death is the Destination, curators Nancy Floyd, Ruth Stanford and Christina West, Welch Art Gallery, Atlanta Ga


2011    - Contemporary Art Fair, Aqua Art Miami, Florida (CATALOGUE)

           -  Work on Paper, Poem 88 Gallery, Atlanta, Ga

           -  Rising Movers & Shakers of the Georgia Arts Scene, MOCA GA, Atlanta, Ga

           - Texas Tech University, School of Arts, Lubbock, Texas


2010   - Juried Photo Show, curator Stuart Horodner, Eye Drum Gallery, Atlanta, Ga

           -  Juried Student Show, Welch Art Gallery, Atlanta Ga

           -  MFA Show, Welch Art Gallery, Atlanta Ga 2008     - Movie @ Night, Le Flash, Atlanta Ga


1996   - Personal Best, curator Irina Popiashvili, Chassie Post Gallery Atlanta, Ga

           -  Georgia. Arts Festival Atlanta, Sautee Nacoochee, Atlanta, Ga

1994   - Limner Gallery, New York.


1993

- Alumni Group Show, Atlanta College of Art, Atlanta, Ga

1992

- Biennale, Nexus Contemporary Art Center, Atlanta, Ga (CATALOGUE)



1991

- Senior Student Show, Atlanta College of Art, Atlanta Ga

- Advanced Photography Group Show, Gallery 100, Atlanta Ga



1990

- Juried Student Show, Atlanta College of Art, Atlanta, Ga

- Photo Installation, Mattress Factory, Atlanta, Ga



- Advanced Photo Group Show, Atlanta College of Art, Atlanta, Ga



SELECTED REVIEWS



2019            Bolen, Jeremy. (2019). “Through a Glass Darkly: Bryan Grad and Christina Price Washington” Burnaway. [online], review

                    written October 31, 2019 https://burnaway.org/bryan-graf-christina-price-washington/


2018            Ollman, Leah. (2018). “One bed photo per day, for years and years: Mesmerizing moments from an art show about daily                       
                 
                    life” LA Times. [online], review written April 09, 2018 http://www.latimes.com/entertainment/arts/la-et-cm-every-ongoing-               
                   
                    day-  review- 20180409-story.html



                    Wood, Eve. (2018). Practice, Practice Every (ongoing) Day at Arena 1 Gallery.Art and Cake. [online], review written April 03 2018

                    https://artandcakela.com/2018/04/03/practice-practice-every-ongoing-day-at-arena-1-gallery/


2017            Corrigan, Louis. ““Socially Engaged” Thoroughly Engages at GSU Welch Gallery” Burnaway,

                    review written on October 31, 2017.   http://burnaway.org/review/socially-engaged-thoroughly-engages-gsu-welch-gallery/

                       
                    Johnson, Sunni. “Review: Through the grit and the gauze, “Socially Engaged” cuts through to embodied identities” ArtsAtl                                     
                   
                    Reviews on October 31, 2017 http://artsatl.com/review-grit-gauze-socially-engaged-cuts-embodied-identities/

                      
                       
                    Feaster, Felicia. “Art review: Female artists examine notion of home in Athens show” my Atlanta Journal Constitution,                         
                   
                    written on May 23, 2017 http://www.myajc.com/entertainment/arts--theater/art- review-female-artists-examine-notion-                     
                   
                    home-athens- show/EgQRKMsdLFIttufhoUA5gK/ 


                   
                    Smith, Jessica. “’Domestic Structures’ Expand Within ATHICA” flagpole Art Notes on May 03,  http://flagpole.com/arts-               
                     
                    culture/art- notes/2017/05/03/domestic-structures-expand-within-athica



2016            Weiskopf, Dan. “Rejecting the Now, “More Light: Media Art from Atlanta” at Eyedrum” ArtsAtl Reviews on April 11, 2016

                     http://artsatl.com/review-rejecting-now-more-light-media-art-atlanta-eyedrum/

                     
                    Mintz, Donna. ““Print or Projection” Proves to Be Intelligent, Thought Provoking and Brand New” ArtsAtl, Review: written on
 
                    January 21, 2016  http://artsatl.com/review-print-or-projection/


2015            Deese, Jack. “Photo show Upends Tradition, at Swan Coach House Galley” Burnaway, Review written on October 29, 2015

                    http://burnaway.org/review/photo-show-upends-tradition-at-swan-coach-house-gallery/


2013            Dowda, Stephanie: “Suburbia at Hagedorn Foundation Gallery” Burnaway Review written on  May 02, 2013

                     http://burnaway.org/review/review-suburbia-at-hagedorn-foundation-gallery/

                 
                 “Talking Head: Suburbia and its Discontents” conversation between Meg Aubrey and Christina Price Washington, 

                  Burnaway, April 26
                                      
                  http://burnaway.org/interview/talking heads-suburbia- and-its-discontents/




                     Frank. Jill “The Photograms of Christina Price Washington” Burnaway, Dodge & Burn. Written  on March 12, 2013

                     http://burnaway.org/feature/dodge-burn-the-photograms-of-christina-price-washington/  


 
                    Feaster, Felicia “Suburbia” Photograph, online Photography magazine; by on March 14, 2013 http://photo
 
                    graphmag .com/reviews/suburbia/


2011             Feaster, Felicia, “Under the Influence at MOCA Ga” Creative Loafing on January 28,

1994            Cullum, Jerry Atlanta Journal and Constitution, Visual Arts Weekend Preview written by, on June17, 1994

PUBLICATIONS


2016                Art Papers. Review. Duane Michals at Jackson Fine Art. Written by Christina Price Washington



2014                Shadow, Skin, and Surface; Examining the Work of Viviane Sassen http://scholarworks.gsu.edu/cgi/viewcontent.cgi? 

                         
                        article=1167&context=art_design_thes20




                        Kristin Juarez, and Christina Price Washington. "Dislodging the Visual: Yanique Norman's Amorphous Beings." Liquid                         
                       
                        Blackness.com. A Research Project on Blackness and Aesthetics, Department of Communication, Ga. State University,               
                       
                        Apr. 2014.



2012                 Christina Price Washington, Subject to Change http://scholarworks.gsu.edu/art_design_theses/111/



2008               Sirlin, Deanna. "Color Mobiles in Berlin by Martin Vosswinkle." The Art section, An Online Journal of Art and Cultural                               
                        
                        Commentary. June 2008. http://zoolander52.tripod.com/theartsection2.6/.
   
                         
                        Translated by Christina Price Washington


1993                Friedman, Daniel. The Architect's Dream: Houses for the next Millennium.

                       
                        Cincinnati: Contemporary Arts Center Cincinnati, 1993. Photography by Christina Price

 




OTHER SELECTED PUBLICATIONS


2017



Works on Paper, curator Leslie Jones Curator of Prints and Drawings at the Los Angeles County Museum o

Art (LACMA), Brand 45, Glendale, Ca (CATALOGUE)

2016



Light in Purse, Portfolio 2016 curator Lisa Sutcliffe, Curator of Photography at the Milwaukee

Museum of Art, Atlanta, Ga (CATALOGUE)

2012

Slow Exposures, curators Brett Abbott and Julian Cox, Zebulon, Ga (CATALOGUE)

2011

Contemporary Art Fair, Aqua Art Miami, Florida (CATALOGUE)

1992

Biennale, Nexus Contemporary Art Center, Atlanta, Ga (CATALOGUE)